Even on his debut album Flying Lotus was making unique sample choices. In a shift from the subtle beat-centered tracks, 1983 closes with this unusual pairing between Laura Darlington’s languid guest vocal and a simple but entrancing space-age/jazz sample from the Cuban drummer Tito Puente.
KPM Library cover art, 1980s
The 1950s saw KPM start to produce music for film, radio and the emerging commercial TV market. Shortly after, the now highly collectible green sleeve ’KPM 1000 series’ records went into production. 1960s to 1980s proved to be KPM’s glory years and the 1000 series records defined the sound of the era, spawning dozens of popular TV themes of the day. – WhoSampled, The Influence of the KPM Music Library
Search their 1980s catalog here
New EP ‘Spires’ coming May 10th!
As usual this will be available for stream/download on Vulpiano Records along with my own Bandcamp. It’s a little different from the last few, more mechanical and ‘techno’, but still lots of washy synths as before. More info soon.
Track list
- Cosmic
- Time
- Zemūdens
- Spires
Eyeliner – Buy Now, 2015
synth pop / sequencer & MIDI / vaporwave / synth funk
More like this – Eyeliner’s High Fashion Mood Music + Larp Of Luxury; Kobayashi Yamoto’s 商業的な仕事 1993 – 2004 + 快い亡霊 OST; Luxury Elite’s Fantasy
Eyeliner’s crystal-clear sound revitalizes late 80s/early 90s electronic music with optimal charm and without reducing it to another snarky joke. Instead, Buy Now takes you to an easy-going virtual world of polka-dots and pastels. Like the giddy cover art, the album doesn’t take itself too seriously, but it doesn’t need to when we’ve had this many vaporwave projects sulking in cyberpunk/ambient gloom.
That said, his research of this music is serious, interpreting a full rainbow of sounds and moods with accuracy. These include ambitious electro-disco (“Pinot Noir”), hold music, hints to library music, new jack swing (“Sneakers For Men”), a cross between The Knife and 80s funk (“Showbiz”), and Miami Vice tension (“Pictionary”).
Some striking cool-down moments (”Payphone”, “Venetian Blinds”) and soulful flutters aside, Buy Now highlights the toy-like gloss of digital synths over more accepted analog tropes (to most amusing effect on “Toy Dog”). Oh, and if that drunken Seinfeld intro had you doubting the powers of slap bass, this is the album to convert you.
♥︎ – “Toy Dog”, “Showbiz”, “Payphone”, “Private Hospital”, “Pictionary”
White Poppy – “Daydreaming” (Drifters Gold, 2013)
Alan Hawkshaw & Trevor Bastow – Kinetics/Vision, 1980 (Bruton)
library music / progressive electronic
More like this – Curios From The Background Vol. 1, Alan Shearer’s “Isis For Osiris”, early Oneohtrix, Geoff Bastow’s Tomorrow’s World
While there’s some issues with consistency and a few too many reprises, this library oddity is definitely worth hearing if you’re interested in eighties analog synth music. I’ve wondered if this was one of the Bruton albums to influence Oneohtrix Point Never as it’s one of their closest in style (OPN referenced their cover art with Drawn And Quartered). Like his early albums, the synths of Kinetics/Vision are cold and warm all at once, forming lots of foggy/metallic arpeggios and a feeling of futuristic isolation.
Side 1 (Kinetics) begins on a cheerful note, with busy and scientific rhythms recalling a tech facility. The first six or seven tracks largely repeat the same melodies, all variations on the same tune. It gets redundant after a certain point, but later highlights like “Kinetic Strength” and “Kinetic Research” add welcome twists to this theme via thrilling slow-burn suspense and a complete mood shift before Bastow’s side ends. Here I picture a protagonist investigating the same facility late at night as they unveil it’s dark secrets.
The renowned Alan Hawkshaw’s B-side adds more variation and a deeper dive into “Kinetic Strength”’s shadowy sci-fi. With the intimidating “Vision 1″, I imagine a dystopian-ish eighties film scenario where they’ve locked up a building after a crime, leaving everyone on edge. “Crystal Vision” is the prettiest moment on the album with the sort of aquatic synth-bell gleam that became popular years beyond 1980. “Visionary” is all weightless and empty hums: non-threatening, but the paranoia lingers. In stark opposition to how the album began, “Dark Vision” ends it all with sinister droning.
If you’re curious to hear more from Bruton Music’s analog synth phase, I highly recommend this 22-minute compilation.
♥︎ – “Kinetic Strength”, “Kinetic Research”, “Crystal Vision”, “Vision 1″, “Visionary”
Javiera Mena – Mena, 2010
synth pop / dance-pop
More like this – Prissa’s Ni tú ni yo, Bertine Zetlitz’ “Girl Like You”; Annie’s “Greatest Hit” + Endless Summer EP; Sally Shapiro’s ”I’ll Be By Your Side“
Thanks to a lack of English information, I knew little beyond the title of ‘Chilean queen of electro-pop’ the evening I first heard Javiera Mena, but I was right to trust the album’s shower of acclaim. “No Te Questa Nada” (a divine cross between sophisti-pop and Cocteau Twins) proved the perfect match for the fading sunlight outside my window that day, and the grandiose energy of the album’s second half kept me engrossed until the end.
Other highlights include the fierce climax of strings in “Hasta la Verdad”, the endlessly soaring choruses of “Luz de Piedra de Luna” and an A+ Miami-freestyle resurrection in “Aca Entera”. The latter is adorably kitsch but topped with affirming light and sincerity.
As “Aca Entera” demonstrates, there’s something genuine about Mena that sets it apart; like Nite Jewel and Twin Shadow, I get the impression Javiera’s approach comes more from respect for her synth-pop roots than any kind of mockery. Her strong ear for melodies and glittery synths make this a satisfying album.
♥︎ – “Hasta la Verdad”, “No Te Questa Nada”, “Luz de Piedra de Luna”, “Sufrir”, “Aca Entera”
Lukid – “Bless My Heart” (sample of Evelyn ‘Champagne’ King – “Shame”, 1977)
Part of a new column highlighting creative uses of sampling in electronic context.
Lukid’s Lonely At The Top is an example of the huge potential lying in modern electronic music and it’s never-ending connections, through sampling or otherwise, especially when we avoid cliches. Like a mutating creature, it shifts gradually from ferocious water-splashing rhythms (”This Dog Can Swim”) to techno synths shrouded in fog and shattering like glass (“Southpaw”).
One of it’s more emotive songs, “Bless My Heart” makes a distinctive opening by morphing this Evelyn ‘Champagne’ King hit into something both robotic and soulful, emphasizing the shimmer of the e-piano and adding a number of strange (but subtle) down-pitched voices.
Daydreams In The Garden / A Moomin-inspired playlist
Listen
A mix inspired by the music & visuals of the Moomin universe with folksy, sweet, calm, pastoral and thoughtful moods. Ranges from misty folk songs to gentle new age; featuring twinkling keyboards and pseudo-classical/chamber elements (woodwinds, harp, strings).
Featuring music from Moomin Voices (a recording of songs written by Moomin creator Tove Jansson), the 90s anime OST, the 1980 puppet show OST, 4AD and more!
Track list
mumintrollet’s visa tove jansson, johanna grussner & mika pohjola / aikea-guinea cocteau twins / antarctica echoes vangelis / bordeaux durrutti column / rozo, du pecoj world standard / kun ha minami he sumio shiratori / vite, petite fille david snell / parachute area / thibault et l’arbre d’or emmanuelle perranin / silver chord jane weaver / glad glasser / most unusual graeme miller & steve shill / icebow delicate features / open sequences a vision of panorama / i’ll read you a story + push the boat onto the sand colleen / le reflet dans l’eau train fantome / the dancer linda perhacs / lily of the valley brian bennett / february milan pilar / eternal garden ray russell / soft spring paul williams
About this mix:
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Lumeet – Lucitania, 2014
electro-disco / synthwave
More like this – Lumeet’s “Metacharm” + “Lyonesse Zero” + “The Lucidist”, Cyber People – “Void Vision”, Laser Dance – “Power Run”, Explorer – Explorer
Finnish synthesist Lumeet’s music is what I hoped Lindstrom’s would be. I’ve tried listening to so many Lindstrom projects yet somehow each failed to excite me. Lumeet, meanwhile, takes a similar cosmic disco style and condenses it into something more melodic and exciting. I do adore a handful of tracks on his first album, but I found the sadly forgotten Lucitania more consistent.
https://www.youtube.com/watch?v=xgEtzx6SAl8
Each song has an endless burst of sci-fi synths, possessing that carefree energy that benefits almost any retro electronic album. A few longer tracks remain but they don’t ramble as much as they did before. “Cloudspinner”, for instance, manages to go for 7 minutes without getting tedious, evolving through dizzying arpeggios and maintaining an entrancing groove through it’s whole length. “Bloom” also stands out by replacing the uptempo rhythms with a mood of calm but whimsical fantasy. I absolutely recommend Lucitania if you have any interest in electronic disco.
Moons And Melodies 
