ethereal wave / dream pop / synth pop
More like this – Molly Nilsson’s “The Lonely” + “Wounds Itch When They Heal”, John Maus’ “Tenebrae”, Grimes’ Halfaxa, Anna Von Hausswolfe, Ioanna Gika
Imagine swimming in a cathedral with those windows. They’re the only light source, so you have these brilliant colors flashing through the dark. You hear a familiar song from the other room that brings up memories you haven’t thought of in years. That’s this album.
Pat Moon shows an excellent understanding of ethereal wave’s potential, and this is her debut. She brings all the romantic soul-searching this genre needs while giving it a promising synth makeover. From the first seconds she submerges her voice in murky pads that perfectly capture the ocean’s depths. The harmonies she builds are so fluid they could melt.
I can detect the confines of a keyboard-based home project, but the sound and scenes are big. She’s walking alone in the moors, she’s drifting along the river. Completing this imagery is a synth-organ echoing hallways and chambers from centuries past. This is the kind of isolated surrealism that gives the best ‘bedroom’ music it’s unique appeal.
I love how she titled this Don’t Hide From The Light. It’s gothic for sure, but more grey than black. This isn’t all-swallowing doom, it’s longing and unleashing emotions with a bit of hope. She writes on the Bandcamp page: ‘thank you kyle for helping me get here and reminding me that I could do this during those times I didn’t think I could’. She’s emerging from her shell and this translates really well to the songs.
See also – “Medieval Spells” from Romantic Era
The Vulpiano Records 10-Year Anniversary album came out yesterday, which means you can stream and/or download my new song “Voltage”! Check it out if you liked Spires. I was aiming for a similar futuristic/metallic sound with this one but with a bit of trance music thrown in. Polishing it for this release was a daunting task that ended in overly-soft volume, but I’m happy with the composition. I’ll add it to my own Bandcamp and Soundcloud in the next few days.
This is my second Netlabel Day release for Vulpiano after Sea Cave / Indigo (available here). Listen and/or download Gemstone Study at the links above.
Stream and/or download the full EP at the above links. As usual any listens and/or feedback are hugely appreciated.
Along with showing a more rhythmic side to my music, my main idea with this EP was forming a ’techno’ sound with more frequent shifts and build-up as I didn’t have much patience for the minimal approach in a lot of popular techno like Autechre and The Orb.
I wanted it cold and mechanical most of all (going along with the techno aesthetic), but as with most of my music, an aquatic/murky accent snuck into it (mostly on “Zemūdens”, whose title is the Latvian word for ‘submarine’). Crashing waves and giant towering structures came to mind, hence what you see in the cover.
If there’s any two things that inspired this EP most, it’s Laurel Halo’s Hour Logic and The Knife’s Silent Shout, to the point you can hear a few similar synth tones. I tried to build a dense atmosphere/backdrop behind the more prominent beats as you hear in those albums.
As usual this will be available for stream/download on Vulpiano Records along with my own Bandcamp. It’s a little different from the last few, more mechanical and ‘techno’, but still lots of washy synths as before. More info soon.
Very pleased to announce my latest EP on Vulpiano Records. Ocean Flower follows in the style of my Liquid Sunlight album from June and will arrive on February 5th. Includes 5 new songs + the “Glistening Shores” single from October.
- Ocean Flower
- Vague Memory
- Glistening Shores
- Dusk In Oceania
- Lemon Lime
- The Lost Shrine