Basically an update/expansion on the Siouxsie ‘intro playlist’ I kept reposting here.
So maybe you know ‘Happy House’ or ‘Spellbound’ or another early Banshees hit? That’s great but on ‘Siouxsie Day’, I feel the push to promote a deeper look. Iconic as the big singles were, I feel that this is the tip of the iceberg.
This is a collection for the curious listener who wants to know more about Siouxsie’s more adventurous tastes and gradual evolution throughout her many many projects. After all, we’re talking about 16 albums in all. Sticking to only two or three ‘sides’ of such a prolific figure doesn’t do her justice. As powerful and crucial as the Juju era was, think of the constant misconceptions it inspired. Even Siouxsie would reiterate in interviews; not only was attaining a hit single not a priority, but that b-sides contained the Banshees’ most creative work. (For instance, the proto-trip hop ’Tattoo’.)
From the jazzy mallets of ‘Weathercade’ to Hyaena’s elegant flourishes, to the spacey trip-hop of Anima Animus and her haunting Hannibal finale theme, I hope for this to show new facets to Siouxsie’s music that you might have missed. Title comes from John McGeoch’s summary for the specific musical tension that SATB aimed to create.
(Combining the Once and Twice Upon A Time single collections does make a good intro if you want something more immediate, but note that Twice includes neither single from The Rapture. I do throw in some fantastic non-album singles since they didn’t get the same attention.)
Part 1: The first eight years
Staircase Mystery (Stand-alone single)
Mirage (The Scream)
Placebo Effect (Join Hands)
Desert Kisses (Kaleidoscope)
Into The Light (Juju)
Mad Eyed Screamer (The Creatures – Wild Things EP)
Fireworks (Stand-alone single)
Obsession (A Kiss In The Dreamhouse)
Morning Dawning (The Creatures – Feast)
Weathercade (The Creatures – ‘Right Now’ b-side)
Pulled To Bits (Nocturne live version)
Tattoo (‘Dear Prudence’ B-side)
Overground (The Thorn orchestral version)
The Sweetest Chill (Tinderbox)
Part 2: Late 80’s to 2015
Song From The Edge Of The World (Stand-alone single)
Hall Of Mirrors (Through The Looking Glass)
Sleepwalking (‘This Wheel’s On Fire’ B-side)
Manchild (The Creatures – Boomerang)
Little Sister (Superstition)
Face To Face (Batman Returns soundtrack)
Sick Child (The Rapture)
Pinned Down (The Creatures – Eraser Cut EP)
Another Planet (The Creatures – Anima Animus)
All She Could Ask For (The Creatures – U.S. Retrace EP)
Further Nearer (The Creatures – HAI!)
Cish Cash w/ Basement Jaxx
Sea Of Tranquility (Mantaray solo debut)
Love Crime (Hannibal soundtrack)
While this ‘archive album’ is suffering the worst case of delay since my 8-bit album last year, I’m still set on getting it out there this month, hopefully before it enters the ‘late’ period. To coincide, I decided to guest on Vulpiano’s monthly mix series for the listen.camp online radio station with a dip into the sounds and styles that inspired the album. I always felt that electronic music and easy listening shared this understated knack for aquatic or underwater themes, so this was a novel concept to revisit.
That means lots of ‘underwater’/surreal production effects, synths that go drip-drop, library obscurities themed around marine life, steel drums and a handful of surprises. For instance: the latest Bebel Gilberto album, which sounds eerily close to mall-themed vaporwave, and one of the most underrated Siouxsie singles in “Swimming Horses” (just because). Plus, of course, two tracks from Seahorses itself. Those are latest single “Fish In Oceania” and “Blue Whale” (which I lift from the download-only version of Ocean Flower; it actually originates from the Seahorses project).
The mix will go up on CAMP’s Mixcloud in the following days. You’ll find ‘similar wavelengths’ on my old Curios From The Background series and the Neptune mix.
Seahorses working track list:
- Fish In Oceania – 2:00
- Floating By – 2:19
- Dorsal Fin – 2:21
- Manatee – 2:11
- In Our Submarine – 2:16
- A Wandering School – 2:03
- Mouthbrooder – 2:12
- Jellyfish – 2:03
- Sand Dollar – 2:37
- Blue Whale – 2:54
Deep Trenches demo (0:45), Seahorses (2:15), Lullaby For Sad Porpoise (2:26)
- As for the ‘piece’ I mentioned working on with the Mouthbrooder post, that found it’s way to a rough and complex state. I’m not so sure what to do with it right now and sadly, posting it in some form here feels more doubtful than before.
- In this next month or so, I’d love to get back to more regular posts, since my extreme focus on That Piece led to delay for many ideas. Still, I think I have enough to juggle for May considering my plans for a special occasion in it’s last week. It’s nothing too big or fancy, but it’s a day I posted about on most previous years here!
- I’m in plans of the next ‘traditional MAM mix’, but it’s not happening until sometime in summer. It can say it has some things in common with the previous one..
- New RYM lists: [bitter]sweet / loving / emotional synthpop, Beautiful Robots Dancing Alone: existential trance, Lyrics I find interesting / relatable
- No plans for front page reviews at RYM right now. I have more important stuff on my plate; I did a lot already and the Dax Pierson review got a frustrating enough response to remind me why I ‘retired’ from it.
- The new album from the very 80s, very YMO-ish J-pop group Crystal is ridiculously fun and also beautiful, please listen to it.