Mix

Castles In The Sky (I Heart Noise Guest Mix)

ORIG BRIGHT

IHN Mixcloud + 8Tracks + Youtube

My guest mix for I Heart Noise highlights the surprising darker and sadder corners of new age music. Despite common aims to soothe and uplift, these songs dive into downbeat and/or ambiguous feelings: vulnerable, longing, bittersweet, haunting. The bright synths of a meditation cassette meet the murky lows and fragile heart of your favorite oddly-sinister children’s VHS.

Made from selections off my eponymous Rateyourmusic list: plenty more in this vein over there!

Track listing

  1. Suzanne Ciani – The Eighth Wave
  2. Hiroshi Yoshimura – Singing Stream (Spring Mix)
  3. Bob Foster – The Water Garden
  4. Hiroyuki Onogawa – August In The Water 1
  5. Michel Genest – Reflections On A Moonlit Stream
  6. Medwyn Goodall – Dolphin Dreams
  7. Spencer Nilsen – Title Theme
  8. Peter Seiler – Reef Moods
  9. Milan Pilar – Way To The South
  10. Simon Benson & Mike Tauben – Dreamworld
  11. Graham De Wilde – Underwater World (a)
  12. Milan Pilar – Nocturne
  13. Sumio Shiratori – Winter In Moominvalley
  14. Toshifumi Hirata – Fire And Forever
  15. Joe Hisaishi – The Huge Tree In The Tsukamori Forest [8Tracks & Mixcloud] / The Path of the Wind (Instrumental) [Youtube]
  16. Warren Bennett – A Time To Remember
  17. Bel Canto – Unicorn
  18. Spencer Nilsen – Skylands
  19. Happy Rhodes – Ra Is A Busy God
  20. Miami Vice – Tokyo Negative
  21. Delicate Features – Taurus Moon
  22. Mychael Danna – Sky 2
  23. Áine Minogue – The Grove
  24. John Hall – Illusen’s Glade [Youtube Only]
  25. Emerald Web – The Red Vapour of Still Lakes
  26. Kirsty Hawkshaw – Modern Mermaid
  27. Milan Pilar – Green Velvet
  28. David Rogers & Paul Shaw – Ice Kingdom [8Tracks Only]
  29. Emerald Web – Soft Silence The City
  30. Patrick O’Hearn – España

 

Advertisements
hidden treasure

China Crisis – Autumn In The Neighbourhood, 2015

sophisti-pop

RIYL80s China Crisis, Love And Money, Prefab Sprout, Gangway’s Sitting In The Garden

I love fall but I’m not ready for it. For one thing, it feels less fitting to post more of my findings in sophisti, a style screaming ‘cocktail party at the beach’. I meant to do more than my August mix, but that time flew as usual. Thus, a title like Autumn In The Neighbourhood enticed me.

I’m not sure if this is autumnal as much as windy and down-to-earth, but it’s close enough for me. I wish more sophisti had this imagery, I know that much. This being their ‘comeback’ album (2015!), China Crisis perform with more ease and nuance than ever. Decades later, they’ve kept that same elegance that defines sophisti-pop. The subtle keyboards, clean guitars and hints of brass are all here. Add a nostalgic, thoughtful mood and you have a great scene-setter. It’s the kind of British eighties(-styled) pop where you can just feel the busy city and morning breeze. It’s hard to name favorites but this comes from the impressive coherence more than anything else.

♥︎ – “Smile”, “Down Here on Earth”, “Joy And The Spark”, “Tell Tale Signs”

 

Artists you should know · Playlist

Artists you should know / Milan Pilar

TXT

Milan Pilar (born 1934 in Czechoslovakia) is a master of fantasy melodrama. Once he came to use synths, his music became the soundtrack for finding a magic necklace in a pastel-colored forest where anything can happen. Milan created these images in gorgeously exaggerated detail that can touch your heart if you let it, no matter outlandish it may seem at a glance. He had a talent to induce the most grandiose emotions with impact and genuine tenderness.

Most songs will have sweeping synths and/or strings as a backbone, with digital bells and flutes playing the melodies. Many are wistful and sensitive as if telling you secrets in it’s hiding place, some carefree and happy, others cinematic and awestruck. No matter the mood, they never lose their Moomin-worthy fantasy charm and romantic expression. It’s a shame Pilar didn’t wind up directly composing for children’s fantasy movies.

He also kept a distinct sound across ten-plus years, something rare for library composers. For instance, his 2003 album Nature In Motion has the virtual same approach as his late-eighties work.

Playlist

I’ve gathered my favorites from across his albums to give a good taster for his style (link above).

1. February  – Pastoral Seasons, Coloursound, 1982

2. Reconciliation – Nature Spoiled and Unspoiled, Coloursound, 1983

3. Above / Extensions – Extensions, Sonoton, 19??

4. Industrial Signature 11 – Industrial, Coloursound, 1986

5. Fountain Idyll – Above And About, Coloursound, 1989

6. Birdlife – Above And About, Coloursound, 1989

7. Digital Structure 2 – Digital Structures, 1990

8. Digital Structure 25 – Digital Structures, 1990

9. Softly As The Summerwind – Nature Study, 1990

10. Wind And Waves – Nature Study, 1990

10. Caravanseral – Nostro Mondo, 1993

12. Irish Autumn – Floating Line, 1993

13. Rainbow – Textures And Fusion, 1994

14. Lost Game Blues – Signs Of Wisdom, 1999

15. Call Of The Mountains – Nature In Motion, 2003

16. Deep Sea Romance – Green Planet, 2004

Songs that got me into music

Siouxsie And The Banshees – “Into The Light” (Juju, 1981)

‘A racket that mixed up Blondie with Siouxsie And The Banshees’; said one critic on Yeah Yeah Yeahs. Who were the Banshees?, I thought eight (!) years ago. Soon I found “Into The Light” on my sister’s iTunes by fluke and it blew my mind within seconds. I knew nothing about the new wave scene and the endless creativity within yet, so you could imagine my awe.

The song resembled a campfire with Siouxsie as the enigmatic storyteller. The guitar sizzled over Budgie’s drums like wood covered in flames. With this band, guitar worked more as the portal to their surreal worlds than a tool for beefy riffs. John McGeoch’s ‘Gizmo’ effect pedal played a big part in this. “Into The Light” has a raw instinct for sure, but they didn’t look past melody; it’s an agitated beast. Likewise, something vulnerable lies in Siouxsie’s defiant voice. Her lyrics insist on rhymes with ‘light’:

Our hearts entwine / a new horizon

Remember when / bleached into white

Your time again / kept out of sight

Standing in the light

I never wanted to be right

Now I’m attracted by the light

And blinded by the sight

What is this light? ‘I never wanted to be right’; it’s confessing something, it sounds defeated. Genius suggests a light-before-death scene, fitting the cosmic images though not confirmed. Either way, I couldn’t ask for a stronger delivery.

Key to Juju’s impact was how it found Siouxsie between her punk roots and later refinement. She reached a raw desperation (especially live) that wasn’t quite the same with earlier and later periods. As it took one jam-based take to record with improvised lyrics, this song came from pure impulse. It told me that spontaneous bursts can birth the best inspiration.

Go here for my Siouxsie gateway playlist if you’re unfamiliar.

Mix

MIX: Sophisti-Pop Summer

THIS ONE.png

YOUTUBE / 8TRACKS

It was way past midnight
and she still couldn’t fall asleep.
This night the dream was leaving
she tried so hard to keep.
And with the new day’s morning
she felt it drift away.
Not only for a cruise, not only for a day.

– Double, “The Captain Of Her Heart”

A summer mix invoking the romance, mystery, scenery and varying emotions of a lavish cruise as it begins a long journey overseas. Think sipping a cocktail as you watch the sunset, a romantic embrace by the docks or a suited pianist enchanting the crowd during their buffet.

This naturally doubles as a spotlight for the sophisti-pop genre best known for Sade and Prefab Sprout. Its cross of slick production and synths with elegant piano, strings, clean guitars, sax and/or brass has close ties to this imagery. Many songs take influence from lounge and jazz; others are simply eighties pop with a swanky attitude.

Track listing

  1. DOUBLE – the captain of her heart
  2. VIKTOR LAZLO – balade de lisa
  3. JEANNE MAS – lisa
  4. GAZEBO – lunatic
  5. ABC – confessions of a fool
  6. MURIEL DACQ – tropique
  7. STYLE COUNCIL – the boy who cried wolf
  8. ALASKA Y DINARAMA – un hombre de verdad
  9. LUXURY ELITE – blush
  10. A.V. WALKER – night silk
  11. MOODOID – kasbah
  12. KIM WILDE deep in the european soul
  13. MIAMI SOUND MACHINE – surrender paradise
  14. PRESUNTOS IMPLICADOS – no hay palabras
  15. YUKIHIRO TAKAHASHI – brand new day
  16. SERI ISHIKAWA – quantity of love
  17. ANNA DOMINO – bonds of love
  18. GEORGE MICHAELthe strangest thing
  19. BRYAN FERRY – windswept
  20. DEBBIE HARRY – strike me pink
  21. BEATA KOZIDRAKzal my tamtych noci i dni
  22. THE PAINTED WORD  night after night
  23. ENZO ENZO – pacifico
Artists you should know · Playlist

Artists you should know: Claude Larson

w: txt.png

Claude Larson (AKA Carlos Futura, Klaus Netzle) was a frequent contributor to the German music libraries Sonoton and Selected Sound. Many of his albums focused on cinematic backdrops with a tech slant (plants, space, snow, fantasy) and early experiments with digital synths, being one of the first to make extensive use of the Fairlight CMI. As with a lot of 80s library music, his songs were an earlier example of the polished synth-pop/electronic sounds now popular with modern vaporwave/synthwave producers.

Several CL songs have resurfaced on Youtube in the past ten years. Aside from a Fiat LX reissue in 2018, though, they haven’t attracted the same attention as most of Youtube’s other revitalized 70s-80s favorites.

Youtube playlist

I’ve gathered my favorite Larson songs on Youtube with this playlist. Of course, the limits of Youtube’s selection means I can’t make aim for something ‘definitive’, but it make be a good sampler for the curious listener.

Note: I focused on his Sonoton history as most of his Selected Sound albums are rare jingle collections or full of 10+min songs that could disrupt the flow.

1. Sand-Dunes / Environment, 1978

2. Industrial Plants / Surroundings, 1979

3. Helicopter / Synthesis, 1980

4. Marshy Ground / Scenic Sequences, 1980

5. Panorama / Panorama, 1980

6. Biopulse 2 / Scenes And Images – Developing Underlays Vol. 1, 1981

7. Machine Language 2 / Industrial Future, 1981

8. Wolga / Rivers, 1981

9. Harpsi 1 / Digital Patterns, 1982

10. Hardware / High Tech, 198?

11. Blossom / Plantlife, 1983

12. Transformation / Digital Landscape, 1983

13. Dramatic Impact / Dramatic Impact, 1984

14. Autumn Mist Drama / Soundscapes Vol. 1, 1984

15. Wings In The Sky / Wings In The Sky, 1986

16. Aurora / Soundscapes Vol. 2, 1986

17. Synchrosonic / Synchrosonic Patterns, 1987

18. Haunted Clockwork / Synchrosonic Patterns, 1987

19. Alpha-Dream / Euphonia, 1988

 

hidden treasure

Alan Hawkshaw & Trevor Bastow – Kinetics/Vision, 1980 (Bruton)

R-9460647-1480966934-1697.jpeg

library music / progressive electronic

More like thisCurios From The Background Vol. 1, Alan Shearer’s “Isis For Osiris”, early Oneohtrix, Geoff Bastow’s Tomorrow’s World

While there’s some issues with consistency and a few too many reprises, this library oddity is definitely worth hearing if you’re interested in eighties analog synth music. I’ve wondered if this was one of the Bruton albums to influence Oneohtrix Point Never as it’s one of their closest in style (OPN referenced their cover art with Drawn And Quartered). Like his early albums, the synths of Kinetics/Vision are cold and warm all at once, forming lots of foggy/metallic arpeggios and a feeling of futuristic isolation.

Side 1 (Kinetics) begins on a cheerful note, with busy and scientific rhythms recalling a tech facility. The first six or seven tracks largely repeat the same melodies, all variations on the same tune. It gets redundant after a certain point, but later highlights like “Kinetic Strength” and “Kinetic Research” add welcome twists to this theme via thrilling slow-burn suspense and a complete mood shift before Bastow’s side ends. Here I picture a protagonist investigating the same facility late at night as they unveil it’s dark secrets.

The renowned Alan Hawkshaw’s B-side adds more variation and a deeper dive into “Kinetic Strength”’s shadowy sci-fi. With the intimidating “Vision 1″, I imagine a dystopian-ish eighties film scenario where they’ve locked up a building after a crime, leaving everyone on edge. “Crystal Vision” is the prettiest moment on the album with the sort of aquatic synth-bell gleam that became popular years beyond 1980. “Visionary” is all weightless and empty hums: non-threatening, but the paranoia lingers. In stark opposition to how the album began, “Dark Vision” ends it all with sinister droning.

If you’re curious to hear more from Bruton Music’s analog synth phase, I highly recommend this 22-minute compilation.

♥︎ – “Kinetic Strength”, “Kinetic Research”, “Crystal Vision”, “Vision 1″, “Visionary”