I learned of Cocteau when I overheard “Amelia” from my sister’s room. “Amelia” was interesting, but Liz Fraser’s singing baffled me at first. “That’s their whole style”, she said. This seemed too ‘weird’ for me. But that was when “Pandora” came on, which changed my mind the second it hit that chorus. Before I knew it I was obsessing over dream pop and all things ‘atmospheric’. Like the Banshees, CTs showed me an atmospheric density I hadn’t thought possible before.
The melody’s rapid syllables could become too much, but Fraser’s voice makes it sound easy and free. Add guitar wash from Atlantis and her most angelic falsetto and every note feels like a fountain. For all I knew, they were playing those drums from under a well.
“Pandora” is one of those rare songs with a therapeutic quality, where I wish I could take a nap in it. I pictured a happy-sad farewell in some aquatic world, where someone watches their friend journey off. It’s somewhere between this and the purest daydream.
Complex emotions like these are part of Treasure’s power. It will evoke such grand, sublime images and feelings across time and space, but never one at a time.