My music

New single ‘Gemstone Study Vol. 1’ is here!

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Vulpiano Records / My Bandcamp
Further links at Vulpiano

This is my second Netlabel Day release for Vulpiano after Sea Cave / Indigo (available here). Listen and/or download Gemstone Study at the links above.

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Top 5 Albums of 2019 (so far)

Top 5 Albums of 2019 (so far) / #4. Voyage Futur – Secret Earth

Voyagefutur

new age / electronic / ambient

More like this – X.Y.R.’s Reflections, New Atlantis Volume 1, Emerald Web’s Nocturne, Michel Genest – Crystal Fantasy

Secret Earth has many of my favorite new age hallmarks: rich synth pads smearing everything in a calming gauze, traces of the subtlest and prettiest synth bells, the lack of dubious ‘world music’ themes and getting that serene v.s. mysterious balance I love to hear in the genre.

Like Vangelis and Emerald Web, Voyage Futur proves excellent at creating moody nature portraits, suggesting stately mountains and dreamt-up forests frozen in time. The marimba+synth pad combo on “Eternal Dawn” is most appealing for me as a keyboard/mallet fanatic. Although there’s a few dull moments, Secret Earth is an ultimately rich and immersive experience. Recommended if you’re curious about the recent crop o electronic new age.

♥︎ – “Eternal Dawn”

Top 5 Albums of 2019 (so far)

Top 5 Albums of 2019 (so far) / #5 – Nonlocal Forecast – Bubble Universe!

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electronic / video game music / new age / sequencer & MIDI / synth pop

More like this – Eyeliner, New Atlantis Volume 1, Ecco: The Tides of Time SCD soundtrack, “Aquatic Ambience” from Donkey Kong Country, “Dire Dire Docks” from Super Mario 64

One in countless Angel Marcloid creations, Bubble Universe! displays her gift for dense, oceanic synths. Song-wise the album flips between beatless new age glitter and jittery drum+synth suites. The latter nears a chaotic pace, but Angel unites it all through the gleeful virtual sheen of 90s video game music. Imagine such a soundtrack fused with guitar cameos and some modern computer polish (best shown on “Triangular Format”) and BU! is the result.

Some of the best VGM is water-themed, so I applaud Angel for making her own album in this vein. Now I’m wanting to play the made-up water-metropolis fantasy game she’s conjured here.

♥︎ – “Triangular Format”, “Cloud-Hidden”, “The Evolutionary Game”, “Classical Information”, “Conscious Agent Combos”

Mix

Daydreams In The Garden / A Moomin-inspired playlist

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Original Tumblr post here

A mix inspired by the music & visuals of the Moomin universe with folksy, sweet, calm, pastoral and thoughtful moods. Ranges from misty folk songs to gentle new age; featuring twinkling keyboards and pseudo-classical/chamber elements (woodwinds, harp, strings).

Featuring music from Moomin Voices (a recording of songs written by Moomin creator Tove Jansson), the 90s anime OST, the 1980 puppet show OST, 4AD and more!

Track list

mumintrollet’s visa tove jansson, johanna grussner & mika pohjola / aikea-guinea cocteau twins / antarctica echoes vangelis / bordeaux durrutti column  / rozo, du pecoj world standard / kun ha minami he sumio shiratori / vite, petite fille david snell / parachute area / thibault et l’arbre d’or emmanuelle perranin / silver chord jane weaver / glad glasser / most unusual graeme miller & steve shill / icebow delicate features / open sequences a vision of panorama / i’ll read you a story + push the boat onto the sand colleen / le reflet dans l’eau train fantome / the dancer linda perhacs / lily of the valley brian bennett / february milan pilar / eternal garden ray russell / soft spring paul williams

About this mix:

Continue reading “Daydreams In The Garden / A Moomin-inspired playlist”

hidden treasure

Patrick O’Hearn – Indigo (1991)

new age / progressive electronic / ambient

More like this – Vangelis, Azuma, Patrick O’Hearn’s “Rainmaker” + “Between Two Worlds”

An odd recurrence in the 80s-90s that never fails to pique my curiosity is when people you could deem ‘new age artists’ made songs that were unusually dark-sided. Yet at the same time, the synths and production will sound very similar. Is it besides the whole point of the genre, then (sounding peaceful, inducing relaxation) or not? Whatever the intentions may be, albums like this are after my own heart.

You could say Vangelis pioneered this as many of his songs combined the crystal-clear textures of the era with a more cinematic/ambiguous air. That being said, his work is only the surface of this sensation. Patrick O’Hearn of Missing Persons is one of those special few who happened to explore very close territory, with this fan-favorite album Indigo in particular. To be honest, though, I’m tempted to argue this is more consistent than many of Vangelis’ own albums.

The cover’s moody teal-blue was the first hint. Indigo is the most shadowy, murky new age album I’ve come across, one that molds the normally ‘kitschy’ sound of synth-rhodes into haunting dirges (as on ”Coba” and the mournful closer ”Espana”). Songs like “Desire” and “Sacred Heart” alternate between oceanic drifting and thrilling film-score peaks while others (”Upon the Wings of Night”) choose to float by in the murk.

Rhythms are smooth and flowing, forming careful transitions with his tense keyboard patterns (”Sacrifice”). It’s like a cross between Spencer Nilsen’s Ecco The Dolphin music and those sinister incidental cues you hear in Miami Vice. He’s found a fascinating middle-ground here, and it’s something that doesn’t pop up near enough in his other work.

A lot of Indigo’s appeal lies in the insistence to keep lurking around this haunted fantasy world it’s concocted for itself, but a few areas like “Devil’s Lake” can come off a little self-serious for my liking. Other parts can get long-winded or repetitive – I guess this is a given with something this close to ambient music. Still, I think anyone curious about 80s-90s new age and/or who loves Vangelis should be sure to listen to this. It embodies so many of the things I love about the digital synth era, and the level of hypnotic beauty it achieves remains highly convincing.

♥︎ – “Sacrifice”, “Coba”, “Sacred Heart”, “Desire”