art pop / folktronica / chamber pop / synth pop
More like this – Glasser’s Ring, Tess Roby, Danielle Dax
When I play this I feel I’m wandering the misty forests and castles, maybe even at Elizabete’s home of Latvia. On the other hand, her electronics morph that into a kind of vortex with their surreal, uneasy character. This is no shock since Elizabete calls her dreams a major inspiration. Not long before she sings “is the castle real?”, I’m sensing a computer behind the courtyard. Yes, this is yet another album where folklore and synths make a fascinating pair.
The same song can flip from churchy vocalizing to hectic techno beats in seconds. A simple feather-weight ballad like “Vienīgais ceļš” has me swaying, but something as flat-out bizarre as “Monument” makes me giggle. Beyond that, her lyrics go for abstract ideas like ‘following the shape of butterflies’ and forgetting her name. The memorable ‘it is not yet a forest’ repeats until the last song fades.
For all the synth shenanigans (she triggers them live with fruit) it’s the way she mixes it with her flute and distinct voice that stands out. The flute has a way of twirling around just so like a ribbon, while her voice has this deep, rosy richness. The two Latvian songs make good showcases for the latter, plus an uncommon language (“Vienīgais ceļš” again, while “Negribas Iet Gulēt” could pass for a lullaby). Like a wise mage, she’s discreet, focused; conducting some kind of research, but a song like “They’re Coming” shows her more playful instincts. With a colorful arrangement like that (flute, mallet, synth, horns) it could fit a parade.