Top 5 Albums of 2019 (so far)

Top 5 Albums of 2019 (so far) / #1. Kelsey Lu – Blood

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art pop / chamber pop / folktronica / chamber folk

More like this – Kelsey Lu’s “Shades of Blue”, Goldfrapp’s Tales of Us, Kate Havnevik’s “Unlike Me”, Weyes Blood’s Titanic Rising

As you could guess from a cellist, keyboardist, guitarist and singer who’s worked with Solange and Blood Orange, Kelsey Lu’s solo debut isn’t easy to box. The quiet cello-and-vocal reserve of her Church EP has evolved to a bolder statement with an upfront personality and a much wider palette, the electronics among the most promising. In Lu’s case, though, the album sounds like the natural culmination of what she’s absorbed over time. She isn’t going eclectic for the sake of it. Even when she goes from warm folk (“Too Much”) to a 7-minute synth-enhanced 10cc cover, she unites every sound through the gentle shivers and hums of her flexible vocals, the warm wooden tremble of her cello and a clear-cut sound design.

Blood enters with a pair of striking cello-accented folk songs, the sinister warning of “Rebel” and the uneasy sleepwalk of “Pushin Against The Wind”. In the first big shift, Lu dives into pop-ballad catharsis with “Due West”, setting her decadent vocals to a blanket of synth chords and a harp so fragile someone could’ve sewn it together. When I think it’s over, a cello pluck enters and cross-fades into what sounds like Grouper making ethereal wave in a cathedral (“Kindred”). Unlike the rest of Blood, Lu sounds truly weightless as she sings like the ghost of an opera singer, possessed yet appeased. Not long after, she kicks into 70s disco with “Poor Fake”, where the big beat+bassline threatens to start a party. And we’re only halfway in by that point.

Blood is the most a new artist has impressed me in months. Her awe-inspiring musical scope combined with such clear passion and creativity to match means there’s enough here for me to process for months, but I’m immensely curious to know what sound she’ll pursue next. Will she do more pop, guitar folk, classical cello, will it follow the steps of this album or will she do a 180? Blood tells me any of these and more could work for her.

♥︎ – “Rebel”, “Pushin’ Against The Wind”, “Due West”, “Kindred I”, “Poor Fake”, “Foreign Car”, “I’m Not In Love”

Mix

Daydreams In The Garden / A Moomin-inspired playlist

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Original Tumblr post here

A mix inspired by the music & visuals of the Moomin universe with folksy, sweet, calm, pastoral and thoughtful moods. Ranges from misty folk songs to gentle new age; featuring twinkling keyboards and pseudo-classical/chamber elements (woodwinds, harp, strings).

Featuring music from Moomin Voices (a recording of songs written by Moomin creator Tove Jansson), the 90s anime OST, the 1980 puppet show OST, 4AD and more!

Track list

mumintrollet’s visa tove jansson, johanna grussner & mika pohjola / aikea-guinea cocteau twins / antarctica echoes vangelis / bordeaux durrutti column  / rozo, du pecoj world standard / kun ha minami he sumio shiratori / vite, petite fille david snell / parachute area / thibault et l’arbre d’or emmanuelle perranin / silver chord jane weaver / glad glasser / most unusual graeme miller & steve shill / icebow delicate features / open sequences a vision of panorama / i’ll read you a story + push the boat onto the sand colleen / le reflet dans l’eau train fantome / the dancer linda perhacs / lily of the valley brian bennett / february milan pilar / eternal garden ray russell / soft spring paul williams

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