Having major creative control meant Reni Jusis experimented whenever she wanted. This resulted in several exciting twists to her already distinctive take on electro-pop (the existential “Ostatni Raz” to name one), but no Reni song surprised me as much as “Niemy Krzyk”, her most dark-sided to date.
Sometimes on the bottom of my heart I feel that
My life is beyond me again
I cannot carry [on] anymore
I went too far again
Why is it that I live faster
If I don’t enjoy the things I have
I want to run away again
Where nobody will find me
With fragile trance melodies rippling along, the lyrics reveal inner fears behind the dance-DJ glamor she adopted on the Magnes album. The impressive soar in her vocal hammers in the effect.
On Deep Cuts I highlight notable album-only/non-single tracks, especially if they differ from someone’s usual style.
This lengthy suite should surprise you if you figured Dannii’s music boiled down to a more generic/’b-grade’ Kylie. With the downbeat aquatic synths, dramatic whispers and chilly title refrains, it’s closer to a lost Impossible Princess b-side.
Long story short I wound up listening to Bananarama’s 2000s album Drama awhile back out of curiosity. It’s a surprisingly good album seeing how this was long past their chart-topping prime in the 80s. The lyrics are nothing special, being the usual love+partying topics, but overall it makes for very pleasant poppy background music. Plus, a couple of songs sound like Goldfrapp (!!!) so you know I’m there.
Another surprise was that one of my favorites, “Look On The Floor”, interpolates the chorus from the cult Italo-disco single “Hypnotic Tango”. What I love is how they give it more of a mellow warmth as opposed to the more uptempo original. If you love Italo, it’s sure to sound familiar:
Look on the floor
And all is spinning around
Someone told me this was just a dance
Then take a chance and I’ll give you more
Do you really think we have a chance?