I love a good electronic+folk mixture, and this is one of those precious examples of where it works in album form. Silver Wilkinson is an ideal spring-time album due to this, recalling fresh morning air, vegetation, grassy fields and other pleasant outdoor imagery very nicely. Bibio decorates the songs with a spacious reverb and emphasizes the most organic possible sounds. Nature FX, grainy sound quality and other details add to the effect. Like a lot of my favorite guitarists, he makes regular use of effects and layering to expand the instrument’s range. Some songs will come close, but it’s far from your usual twangy ‘chill-out guitar’ mush.
Several critics and fans deemed Silver Wilkinson unfocused with the way it shifts in sound at semi-random points. I do agree the flow could be better, but I felt it’s this variety that helps it work as an album. For instance, I like how it begins with these reflective guitar-based pieces, but if every song was like this, it could get stale. His understated knack for synths helps keep it interesting at very least, as in “Business Park” with it’s jagged techno drama or “Look At Orion”’s odd vortex of reverb and sampled voices. At some points he also blends the synths + guitars in a more subtle fashion, like “Dye The Water Green”’s instrumental fade-out.
As much as this album escalates, few songs lack that refreshing springy mood Bibio does best. With “Mirroring All”, I can almost feel that misty outdoor air through mere listening. I could say the same of Bibio’s own favorite “Dye The Water Green”, a haunting melody contrasted with some luxurious guitar shimmers. With the single “Curls” sounding a lot closer to this than his recent ambient/drone work, I have a good feeling about the incoming Ribbons album.
♥︎ – “Dye The Water Green”, “A Tout a L’Huere”, “Mirroring All”, “Business Park”