I found this all-female trio by chance back in my hip hop phase (Thanks to this HUGE list of female rappers, sadly inactive now). Outhere says they’re the first of their kind in Dakar’s rap scene. ‘[…] their first cassette Viktim caused a big stir in a country where traditional authorities like parents, religion or age play a big role.‘ Dakamerap is a play on words: Dakar, camera and rap; saying they’re the camera watching their city. This refers to their lyrics’ focus on social issues. According to Afropop, this focus is common in the scene.
‘Musically the album goes full circle, reconnecting hip hop with its roots in Africa. Songs like Dakamerap, Taspe, Joolaa and Bataxal combine traditional sabar rhythms and the music of the griots with a contemporary blend of african hip hop.’ – Outhere
Written about mistreated house servants, “Proces” caught my ear right away with it’s haunting melody. The addition of spacious dialogue makes it especially evocative.
They’re convincing singers too. Behind a boom bap flavor in the drums, Alif have an almost instinctual knack for hooks. This finds it’s way into most songs and yet, they don’t break the rap flow more than twice. One example is “Bataxal”, complete with a Hollywood-ish string sample. Most surprising is “Thiou”, where they ride a poppy mbalax-like groove with a surging synth as if it’s a breeze. I love the balance here.
I wanted to hear more Alif, but no such luck since this is their only album with a wide enough release. On the upside, there are easier ways to dig into Africa’s various hip hop scenes, very much worth a closer look.
Moons And Melodies 