Basically an update/expansion on the Siouxsie ‘intro playlist’ I kept reposting here.
So maybe you know ‘Happy House’ or ‘Spellbound’ or another early Banshees hit? That’s great but on ‘Siouxsie Day’, I feel the push to promote a deeper look. Iconic as the big singles were, I feel that this is the tip of the iceberg.
This is a collection for the curious listener who wants to know more about Siouxsie’s more adventurous tastes and gradual evolution throughout her many many projects. After all, we’re talking about 16 albums in all. Sticking to only two or three ‘sides’ of such a prolific figure doesn’t do her justice. As powerful and crucial as the Juju era was, think of the constant misconceptions it inspired. Even Siouxsie would reiterate in interviews; not only was attaining a hit single not a priority, but that b-sides contained the Banshees’ most creative work. (For instance, the proto-trip hop ’Tattoo’.)
From the jazzy mallets of ‘Weathercade’ to Hyaena’s elegant flourishes, to the spacey trip-hop of Anima Animus and her haunting Hannibal finale theme, I hope for this to show new facets to Siouxsie’s music that you might have missed. Title comes from John McGeoch’s summary for the specific musical tension that SATB aimed to create.
(Combining the Once and Twice Upon A Time single collections does make a good intro if you want something more immediate, but note that Twice includes neither single from The Rapture. I do throw in some fantastic non-album singles since they didn’t get the same attention.)
Part 1: The first eight years Staircase Mystery (Stand-alone single) Mirage (The Scream) Placebo Effect (Join Hands) Desert Kisses (Kaleidoscope) Into The Light (Juju) Mad Eyed Screamer (The Creatures – Wild Things EP) Fireworks (Stand-alone single) Obsession (A Kiss In The Dreamhouse) Morning Dawning (The Creatures – Feast) Weathercade (The Creatures – ‘Right Now’ b-side) Pulled To Bits (Nocturne live version) Tattoo (‘Dear Prudence’ B-side) Overground (The Thorn orchestral version) Belladonna (Hyaena) The Sweetest Chill (Tinderbox)
Part 2: Late 80’s to 2015 Song From The Edge Of The World (Stand-alone single) Hall Of Mirrors (Through The Looking Glass) Sleepwalking (‘This Wheel’s On Fire’ B-side) Scarecrow (Peepshow) Manchild (The Creatures – Boomerang) Little Sister (Superstition) Face To Face (Batman Returns soundtrack) Sick Child (The Rapture) Pinned Down (The Creatures – Eraser Cut EP) Another Planet (The Creatures – Anima Animus) All She Could Ask For (The Creatures – U.S. Retrace EP) Further Nearer (The Creatures – HAI!) Cish Cash w/ Basement Jaxx Sea Of Tranquility (Mantaray solo debut) Love Crime (Hannibal soundtrack)
Yes, this is ridiculously overdue, but thanks to the extra pressure of a new year and a long-delayed piece I haven’t found the time to put this together for real until now. Consider this an update on the previous 2020 playlist; like that one, I sequenced it to flow in a way that (mostly) makes sense. See the track listing at the link or the ‘full’ version at RYM (a few songs weren’t on YouTube). From chillwave that reaches to the sky (Brothertiger) to siren-like ambient organs (Ichiko Aoba) and metallophones from the Phillippines (Pantayo), this should have something for everyone.
I have a lot to catch up with but this is an interesting music year so far! This particular mix wound up having a lot of rich and moody synth-pop along with airy vocals (AKA my default mood). I love to have some variety in all of my mixes though so we also have tropical vibes, ghostly ballads and some unique fusions. As you might expect from me, I focused my inclusions on less canon artists who could use more attention.
Σtella – The Race
Wild Nothing – Sleight of Hand
Choir Boy – It’s Over
Baby Zionov – Extract From Truth
Planet 1999 – Party
Sign Libra – Sea of Waves
Lido Pimienta – Te Queria
La Roux – 21st Century
Shura ft. Ivy Sole – elevator girl
Christine And The Queens – I Disappear In Your Arms
To make my best summary, I’d call the revival a few loosely connected scenes in one. Like the original new age, it has a looseness and tendency for overlap. Common roots for these artists are 80s-90s retro culture, lo-fi tape scenes, ambient and psychedelia. Many older artists are long-time fans or collectors; others have experience with all-out meditation.
Two-part mix, made from popular or influential releases within the niche, plus a few personal faves
A ‘further listening’ section: ‘close but not quite’ entries in the niche, compilations, labels
Many quotes and links for full immersion
It began a simple idea for fun; after all, this is super niche and deserves more interest. Given the surprising lack in canons and communities (I thought all small genres had a subreddit!) though? It got tricky to get ‘definitive’ enough. I had at least three moments bordering on giving up. I struggled to find a good collaborator on RYM, since not many users care about this music. The few who did weren’t so active, so I ‘finished’ it alone.
I figure smaller edits will come, then, but I’m surprised I cut this down and mixed it up as much as I did. So please, check this out and discover some new artists!
As I said in my favorite albums list, this year had many, many albums that almost did the trick for me but just missed, so having this playlist is a nice way of giving these releases their deserved acknowledgement. This is VERY long so please skim and rule songs out to your liking. In order to keep it semi-reasonable, I’ve limited each artist to one song.
Like the previous 2019 playlist, I’ve ordered these songs to flow and blend in a way that makes sense (for example, I gather the slow and atmospheric songs away from the upbeat poppy stuff, and note that I begin with the most chaotic song by far so it won’t be too shocking later).
Milan Pilar (born 1934 in Czechoslovakia) is a master of fantasy melodrama. Once he came to use synths, his music became the soundtrack for finding a magic necklace in a pastel-colored forest where anything can happen. Milan created these images in gorgeously exaggerated detail that fills the room with color. He had a talent to induce the most grandiose emotions with impact and genuine tenderness.
Most songs will have sweeping synths and/or strings as a backbone, with digital bells and flutes playing the melodies. Many are wistful and sensitive as if telling you secrets in their hiding place, some carefree and happy, others cinematic and awestruck. No matter the mood, they never lose their Moomin-worthy fantasy charm and elegant expression. It’s a shame Pilar didn’t wind up directly composing for fantasy movies.
He also kept a distinct sound across ten-plus years, something rare for library composers. For instance, his 2003 album Nature In Motion has the virtual same approach as his late-eighties work.
Here are (most of) my favorite 2019 songs at the halfway mark. I’ve ordered them by their mood, style and/or tempo to make the transitions semi-fitting despite the variety. I’ve limited all but one artist to one song each.
Look out for my favorite albums list coming very soon!
1. Rainbow Chan – Oblivion
2. Weyes Blood – A Lot’s Gonna Change
3. Tamaryn – Angels of Sweat
4. Adonis – Z Chmur
5. Glass Candy – Naked City
6. Noname – Song 31
7. DAWN – Spaces
8. Kelsey Lu – Due West
9. Kelsey Lu – KINDRED I
10. Elsa Hewitt – Pop Tuna
11. Solange – Beltway
12. Helado Negro – Fantasma Vaga
13. Bibio – Curls
14. Nonlocal Forecast – Triangular Format
15. Ioanna Gika – New Geometry
16. ioannalee – Some Body
17. Hello Seahorse! – Incendio
18. Jai Paul – He
19. Carly Rae Jepsen – Happy Not Knowing
20. Bananarama – It’s Gonna Be Alright
21. Lizzo ft. Missy Elliott – Tempo
22. MC Tha – Clima Quente
23. Brothertiger – Prideland
24. Karen O & Danger Mouse – Nox Lumina
Originally written in Polish for Jan’s new music blog Anielskie Jajo. This is the first guest post I’ve featured here! I’m not sure how common this will be, but I’ll be open to more in the future.
About the guest author:
Jan (~shores on Rateyourmusic) is a musician and dedicated listener from Poland. We ‘met’ by chance in January when I answered his thread asking for recs in 80s new age. We had an immediate connection from there as we happened to share close opinions on several more genres like ambient, folk, pop and darkwave. Listen to Jan’s music here and here.
I. What is Ethereal Wave?
Ethereal Wave, or Ethereal Goth, or just Ethereal, is a music genre that is a variation on gothic rock and darkwave, transcending the dark imagery of said genre into denser, dreamier environments.
What’s more, you can say some bands playing “ethereal” sounding music who aren’t a part of goth scene could be called ethereal wave. Commonly the genre is applied to music that is related to gothic rock, but still a bit different. Lots of ethereal wave bands don’t play goth rock with female vocals (there’s a misconception that all goth rock bands with female vocals are ethereal), but uses certain means of expression that make the genre stand out from the goth scene – such as sparse, delicate guitar layers with lots of effects, soaring vocals (some using glossolalia), drum machines, and sometimes synths or keyboards.
II. Short history of genre
While lots of bands not affiliated with the goth scene today could be classified as ethereal, the style was born on goth rock and darkwave influences. The first half of the 80s brought us classic bands such as The Cure, The Banshees and Bauhaus. We could say that ethereal wave was born as a reaction to the murky and suffocating atmosphere exhibited in music of those bands (not to say it’s a reaction to ONLY those bands, just the scene at the time).
4AD was the primary powerhouse that made the genre happen – with bands like early Dead Can Dance, Cocteau Twins, and This Mortal Coil, the genre had a nice headstart. But it didn’t have a name yet, and it wasn’t established yet – music press just tried to classify the music played by those bands, and “ethereal” was probably the closest, and it possibly stuck. It was rather an unspoken artistic movement.
The second half of the 80s brought fame to the genre: Cocteau Twins had indie hits with singles like “Carolyn’s Fingers” and “Heaven Or Las Vegas”, while This Mortal Coil became somewhat legendary with “Song To The Siren” and released highly acclaimed albums. But it was Dead Can Dance who actually migrated to neoclassical and regional music-inspired sounds with goth undertones, today known as neoclassical darkwave (Genre Primers post soon!).
That was the ethereal wave scene in the UK. In United States, the genre was popularised by Projekt Records – a bit of an American version of 4AD, but they had their own aesthetic and credo. Bands such as Black Tape for a Blue Girl, Love Spirals Downwards, or Lycia were the most popular pupils of said label.
In the end of the 80s and the early 90s, the genre regained some popularity, and several new bands were formed. Unfortunately, the genre went out of fashion rather quickly after that – it could be said that Cocteau Twins’ last album (1996) in marks the end of the genre’s popularity. Yet still: bands affiliated with the scene were experimenting with the sound and expanding it’s influences, sometimes incorporating electronics into their work – notably Chandeen and Love Spirals Downwards.
Today the genre has a small yet faithful fanbase, and – what is really nice to see for me – there are more bands appearing who play in such style.
Finally, this is how the ‘official’ EW looks. ‘Unofficial’ ethereal wave can be found in early 80s new age records and some non-goth artists, but it’s up to you if you feel it’s okay to call non-goth artists ethereal wave or not.
feathers oar-blades – cocteau twins / ocean – dead can dance / rains on me – heavenly bodies / cranes fly – black rose / birds of passage – bel canto / wish – soulswirlingsomewhere / scatter january – love spirals downwards / sparks – faith and the muse / mr. somewhere – this mortal coil / beneath the leaves – requiem in white / drifting – lycia / ecdisis – wind atlas / floor – them are us too / feral love – chelsea wolfe
Siouxsie is my favorite musician and it’s because of her albums that I legitimately became interested in music in the first place. I think this occasion makes for a good time to start listening to her music for those still unfamiliar.
So, I’ve tried to assemble a playlist of a song for every Banshees and Creatures album, including Siouxsie’s lone solo album Mantaray to somewhat give a taste of all the major releases. I tried to keep it mostly accessible and not entirely made up of obvious hits (as great as those songs are). I also left out B-sides because there’s just too many good ones to fit in there for now – but I hope to make a proper playlist out of those in the near-future as well.