Mix

Castles In The Sky (I Heart Noise Guest Mix)

ORIG BRIGHT

IHN Mixcloud + 8Tracks + Youtube

My guest mix for I Heart Noise highlights the surprising darker and sadder corners of new age music. Despite common aims to soothe and uplift, these songs dive into downbeat and/or ambiguous feelings: vulnerable, longing, bittersweet, haunting. The bright synths of a meditation cassette meet the murky lows and fragile heart of your favorite oddly-sinister children’s VHS.

Made from selections off my eponymous Rateyourmusic list: plenty more in this vein over there!

Track listing

  1. Suzanne Ciani – The Eighth Wave
  2. Hiroshi Yoshimura – Singing Stream (Spring Mix)
  3. Bob Foster – The Water Garden
  4. Hiroyuki Onogawa – August In The Water 1
  5. Michel Genest – Reflections On A Moonlit Stream
  6. Medwyn Goodall – Dolphin Dreams
  7. Spencer Nilsen – Title Theme
  8. Peter Seiler – Reef Moods
  9. Milan Pilar – Way To The South
  10. Simon Benson & Mike Tauben – Dreamworld
  11. Graham De Wilde – Underwater World (a)
  12. Milan Pilar – Nocturne
  13. Sumio Shiratori – Winter In Moominvalley
  14. Toshifumi Hirata – Fire And Forever
  15. Joe Hisaishi – The Huge Tree In The Tsukamori Forest [8Tracks & Mixcloud] / The Path of the Wind (Instrumental) [Youtube]
  16. Warren Bennett – A Time To Remember
  17. Bel Canto – Unicorn
  18. Spencer Nilsen – Skylands
  19. Happy Rhodes – Ra Is A Busy God
  20. Miami Vice – Tokyo Negative
  21. Delicate Features – Taurus Moon
  22. Mychael Danna – Sky 2
  23. Áine Minogue – The Grove
  24. John Hall – Illusen’s Glade [Youtube Only]
  25. Emerald Web – The Red Vapour of Still Lakes
  26. Kirsty Hawkshaw – Modern Mermaid
  27. Milan Pilar – Green Velvet
  28. David Rogers & Paul Shaw – Ice Kingdom [8Tracks Only]
  29. Emerald Web – Soft Silence The City
  30. Patrick O’Hearn – España

Background

Like it’s animation, the new age boom of the 80’s had an odd and not-so-discussed taste for darkness. Let’s consider the common Yamaha synth bells and rhodes, which became THE sound of VHS credit rolls. You hear these in happy love ballads one minute and Twin Peaks the next. It’s a sound that melts in your memory over the years as VHS quality melts itself, that can take on a ghostly new life. It’s no shock lots of new age has this effect, whether light or dark. It’s something about how the comfort and ‘fluff’ mingles with the darkness.

It’s only natural for these themes to mix with nostalgia and give us mixed and/or complex feelings. These feelings can haunt us the same way that one ‘scary’ scene in your old favorite children’s VHS does for years. Fleeting joy feels crucial here. After all, so much new age regards fragile things: crystals, gifts, nature, loved ones. New age is for cherishing and protecting. I’d think meditation makes way for some vulnerability itself.

Likewise, fantasy is inspiring and unleashes real-world limits. It can represent ideals and romance. So often this romance can lead to wishing. For things to be real, for dreams to come true, to go back in time.

It’s the tenderness in how these songs approach such emotions that gives them their grip. When gentle fantasy music ponders, it’s like a deer lost in a forest or a child finding haunted halls in their room. It’s not hard to sympathize.

What makes ‘dark’ new age so odd is how it ‘disobeys’ the genre’s core themes. When we hear ‘new age’, we expect serene sounds fit for a spa. It’s crossover icon Enya has 2-3 songs I could call ‘dark’, after all. If ‘true’ new age is music for happy daydreams, dark new age depicts our questions and fears. Despite this, some songs keep the calming effect.

Of course, I’m not aiming for an edgy substitute here. We hold up ambient as this intellectual counterpart already. I love lighter new age too; I’m just highlighting a deserving sub-niche. This strikes me as a relevant theme with new age’s recent spike in popularity. I intend this more to gather lost gems and challenge cliches, ‘soullessness’ to name one.

I chose this Unico shot because, like this music, it paints a sad, uncertain scene in bright colors. You have a unicorn, the trademark ‘pure fantasy’ creature, with a wind fairy, but both are forlorn. While the Unico film has a warm heart, it follows this unicorn getting stolen from his family and losing his memories. It probably represents this theme better than any other movie.

 

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hidden treasure

China Crisis – Autumn In The Neighbourhood, 2015

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RIYL80s China Crisis, Love And Money, Prefab Sprout, Gangway’s Sitting In The Garden

I love fall but I’m not ready for it. For one thing, it feels less fitting to post more of my findings in sophisti, a style screaming ‘cocktail party at the beach’. I meant to do more than my August mix, but that time flew as usual. Thus, a title like Autumn In The Neighbourhood enticed me.

I’m not sure if this is autumnal as much as windy and down-to-earth, but it’s close enough for me. I wish more sophisti had this imagery, I know that much. This being their ‘comeback’ album (2015!), China Crisis perform with more ease and nuance than ever. Decades later, they’ve kept that same elegance that defines sophisti-pop. The subtle keyboards, clean guitars and hints of brass are all here. Add a nostalgic, thoughtful mood and you have a great scene-setter. It’s the kind of British eighties(-styled) pop where you can just feel the busy city and morning breeze. It’s hard to name favorites but this comes from the impressive coherence more than anything else.

♥︎ – “Smile”, “Down Here on Earth”, “Joy And The Spark”, “Tell Tale Signs”

 

Artists you should know · Playlist

Artists you should know / Milan Pilar

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Milan Pilar (born 1934 in Czechoslovakia) is a master of fantasy melodrama. Once he came to use synths, his music became the soundtrack for finding a magic necklace in a pastel-colored forest where anything can happen. Milan created these images in gorgeously exaggerated detail that fills the room with color. He had a talent to induce the most grandiose emotions with impact and genuine tenderness.

Most songs will have sweeping synths and/or strings as a backbone, with digital bells and flutes playing the melodies. Many are wistful and sensitive as if telling you secrets in their hiding place, some carefree and happy, others cinematic and awestruck. No matter the mood, they never lose their Moomin-worthy fantasy charm and elegant expression. It’s a shame Pilar didn’t wind up directly composing for fantasy movies.

He also kept a distinct sound across ten-plus years, something rare for library composers. For instance, his 2003 album Nature In Motion has the virtual same approach as his late-eighties work.

Playlist

I’ve gathered my favorites from across his albums to give a good taster for his style (link above).

1. February  – Pastoral Seasons, Coloursound, 1982

2. Reconciliation – Nature Spoiled and Unspoiled, Coloursound, 1983

3. Above / Extensions – Extensions, Sonoton, 19??

4. Industrial Signature 11 – Industrial, Coloursound, 1986

5. Fountain Idyll – Above And About, Coloursound, 1989

6. Birdlife – Above And About, Coloursound, 1989

7. Digital Structure 2 – Digital Structures, 1990

8. Digital Structure 25 – Digital Structures, 1990

9. Softly As The Summerwind – Nature Study, 1990

10. Wind And Waves – Nature Study, 1990

10. Caravanseral – Nostro Mondo, 1993

12. Irish Autumn – Floating Line, 1993

13. Rainbow – Textures And Fusion, 1994

14. Lost Game Blues – Signs Of Wisdom, 1999

15. Call Of The Mountains – Nature In Motion, 2003

16. Deep Sea Romance – Green Planet, 2004

Songs that got me into music

Siouxsie And The Banshees – “Into The Light” (Juju, 1981)

‘A racket that mixed up Blondie with Siouxsie And The Banshees’; said one critic on Yeah Yeah Yeahs. Who were the Banshees?, I thought eight (!) years ago. Soon I found “Into The Light” on my sister’s iTunes by fluke and it blew my mind within seconds. I knew nothing about the new wave scene and the endless creativity within yet, so you could imagine my awe.

The song resembled a campfire with Siouxsie as the enigmatic storyteller. The guitar sizzled over Budgie’s drums like wood covered in flames. With this band, guitar worked more as the portal to their surreal worlds than a tool for beefy riffs. John McGeoch’s ‘Gizmo’ effect pedal played a big part in this. “Into The Light” has a raw instinct for sure, but they didn’t look past melody; it’s an agitated beast. Likewise, something vulnerable lies in Siouxsie’s defiant voice. Her lyrics insist on rhymes with ‘light’:

Our hearts entwine / a new horizon

Remember when / bleached into white

Your time again / kept out of sight

Standing in the light

I never wanted to be right

Now I’m attracted by the light

And blinded by the sight

What is this light? ‘I never wanted to be right’; it’s confessing something, it sounds defeated. Genius suggests a light-before-death scene, fitting the cosmic images though not confirmed. Either way, I couldn’t ask for a stronger delivery.

Key to Juju’s impact was how it found Siouxsie between her punk roots and later refinement. She reached a raw desperation (especially live) that wasn’t quite the same with earlier and later periods. As it took one jam-based take to record with improvised lyrics, this song came from pure impulse. It told me that spontaneous bursts can birth the best inspiration.

Go here for my Siouxsie gateway playlist if you’re unfamiliar.

Mix

MIX: Sophisti-Pop Summer

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YOUTUBE / 8TRACKS

It was way past midnight
and she still couldn’t fall asleep.
This night the dream was leaving
she tried so hard to keep.
And with the new day’s morning
she felt it drift away.
Not only for a cruise, not only for a day.

– Double, “The Captain Of Her Heart”

A summer mix invoking the romance, mystery, scenery and varying emotions of a lavish cruise as it begins a long journey overseas. Think sipping a cocktail as you watch the sunset, a romantic embrace by the docks or a suited pianist enchanting the crowd during their buffet.

This naturally doubles as a spotlight for the sophisti-pop genre best known for Sade and Prefab Sprout. Its cross of slick production and synths with elegant piano, strings, clean guitars, sax and/or brass has close ties to this imagery. Many songs take influence from lounge and jazz; others are simply eighties pop with a swanky attitude.

Track listing

  1. DOUBLE – the captain of her heart
  2. VIKTOR LAZLO – balade de lisa
  3. JEANNE MAS – lisa
  4. GAZEBO – lunatic
  5. ABC – confessions of a fool
  6. MURIEL DACQ – tropique
  7. STYLE COUNCIL – the boy who cried wolf
  8. ALASKA Y DINARAMA – un hombre de verdad
  9. LUXURY ELITE – blush
  10. A.V. WALKER – night silk
  11. MOODOID – kasbah
  12. KIM WILDE deep in the european soul
  13. MIAMI SOUND MACHINE – surrender paradise
  14. PRESUNTOS IMPLICADOS – no hay palabras
  15. YUKIHIRO TAKAHASHI – brand new day
  16. SERI ISHIKAWA – quantity of love
  17. ANNA DOMINO – bonds of love
  18. GEORGE MICHAELthe strangest thing
  19. BRYAN FERRY – windswept
  20. DEBBIE HARRY – strike me pink
  21. BEATA KOZIDRAKzal my tamtych noci i dni
  22. THE PAINTED WORD  night after night
  23. ENZO ENZO – pacifico
Artists you should know · Playlist

Artists you should know: Claude Larson

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Claude Larson (AKA Carlos Futura, Klaus Netzle) was a frequent contributor to the German music libraries Sonoton and Selected Sound. Many of his albums focused on cinematic backdrops with a tech slant (plants, space, snow, fantasy) and early experiments with digital synths, being one of the first to make extensive use of the Fairlight CMI. As with a lot of 80s library music, his songs were an earlier example of the polished synth-pop/electronic sounds now popular with modern vaporwave/synthwave producers.

Several CL songs have resurfaced on Youtube in the past ten years. Aside from a Fiat LX reissue in 2018, though, they haven’t attracted the same attention as most of Youtube’s other revitalized 70s-80s favorites.

Youtube playlist

I’ve gathered my favorite Larson songs on Youtube with this playlist. Of course, the limits of Youtube’s selection means I can’t make aim for something ‘definitive’, but it make be a good sampler for the curious listener.

Note: I focused on his Sonoton history as most of his Selected Sound albums are rare jingle collections or full of 10+min songs that could disrupt the flow.

1. Sand-Dunes / Environment, 1978

2. Industrial Plants / Surroundings, 1979

3. Helicopter / Synthesis, 1980

4. Marshy Ground / Scenic Sequences, 1980

5. Panorama / Panorama, 1980

6. Biopulse 2 / Scenes And Images – Developing Underlays Vol. 1, 1981

7. Machine Language 2 / Industrial Future, 1981

8. Wolga / Rivers, 1981

9. Harpsi 1 / Digital Patterns, 1982

10. Hardware / High Tech, 198?

11. Blossom / Plantlife, 1983

12. Transformation / Digital Landscape, 1983

13. Dramatic Impact / Dramatic Impact, 1984

14. Autumn Mist Drama / Soundscapes Vol. 1, 1984

15. Wings In The Sky / Wings In The Sky, 1986

16. Aurora / Soundscapes Vol. 2, 1986

17. Synchrosonic / Synchrosonic Patterns, 1987

18. Haunted Clockwork / Synchrosonic Patterns, 1987

19. Alpha-Dream / Euphonia, 1988

 

hidden treasure

Alan Hawkshaw & Trevor Bastow – Kinetics/Vision, 1980 (Bruton)

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library music / progressive electronic

More like thisCurios From The Background Vol. 1, Alan Shearer’s “Isis For Osiris”, early Oneohtrix, Geoff Bastow’s Tomorrow’s World

While there’s some issues with consistency and a few too many reprises, this library oddity is definitely worth hearing if you’re interested in eighties analog synth music. I’ve wondered if this was one of the Bruton albums to influence Oneohtrix Point Never as it’s one of their closest in style (OPN referenced their cover art with Drawn And Quartered). Like his early albums, the synths of Kinetics/Vision are cold and warm all at once, forming lots of foggy/metallic arpeggios and a feeling of futuristic isolation.

Side 1 (Kinetics) begins on a cheerful note, with busy and scientific rhythms recalling a tech facility. The first six or seven tracks largely repeat the same melodies, all variations on the same tune. It gets redundant after a certain point, but later highlights like “Kinetic Strength” and “Kinetic Research” add welcome twists to this theme via thrilling slow-burn suspense and a complete mood shift before Bastow’s side ends. Here I picture a protagonist investigating the same facility late at night as they unveil it’s dark secrets.

The renowned Alan Hawkshaw’s B-side adds more variation and a deeper dive into “Kinetic Strength”’s shadowy sci-fi. With the intimidating “Vision 1″, I imagine a dystopian-ish eighties film scenario where they’ve locked up a building after a crime, leaving everyone on edge. “Crystal Vision” is the prettiest moment on the album with the sort of aquatic synth-bell gleam that became popular years beyond 1980. “Visionary” is all weightless and empty hums: non-threatening, but the paranoia lingers. In stark opposition to how the album began, “Dark Vision” ends it all with sinister droning.

If you’re curious to hear more from Bruton Music’s analog synth phase, I highly recommend this 22-minute compilation.

♥︎ – “Kinetic Strength”, “Kinetic Research”, “Crystal Vision”, “Vision 1″, “Visionary”

Favorite new wave-inspired albums

Javiera Mena – Mena, 2010

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synth pop / dance-pop

More like this – Prissa’s Ni tú ni yo, Bertine Zetlitz’ “Girl Like You”; Annie’s “Greatest Hit” + Endless Summer EP; Sally Shapiro’s ”I’ll Be By Your Side

Thanks to a lack of English information, I knew little beyond the title of ‘Chilean queen of electro-pop’ the evening I first heard Javiera Mena, but I was right to trust the album’s shower of acclaim. “No Te Questa Nada” (a divine cross between sophisti-pop and Cocteau Twins) proved the perfect match for the fading sunlight outside my window that day, and the grandiose energy of the album’s second half kept me engrossed until the end.

Other highlights include the fierce climax of strings in “Hasta la Verdad”, the endlessly soaring choruses of “Luz de Piedra de Luna” and an A+ Miami-freestyle resurrection in “Aca Entera”. The latter is adorably kitsch but topped with affirming light and sincerity.

As “Aca Entera” demonstrates, there’s something genuine about Mena that sets it apart; like Nite Jewel and Twin Shadow, I get the impression Javiera’s approach comes more from respect for her synth-pop roots than any kind of mockery. Her strong ear for melodies and glittery synths make this a satisfying album.

♥︎ – “Hasta la Verdad”, “No Te Questa Nada”, “Luz de Piedra de Luna”, “Sufrir”, “Aca Entera”

Favorite new wave-inspired albums

Ice Choir – Afar, 2012

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synth pop / new romantic / synthwave / sophisti-pop

More like this – Ice Choir’s “Unprepared”; early Depeche Mode, Roxy Music’s Avalon, ABC’s Lexicon of Love, Duran Duran’s Rio

Part of a new column on the highlights of my search through the oceans of 80s synth pop-inspired modern music. I give special focus to albums with a creative or genuine approach, along with hidden gems.

Kurt Feldman’s Ice Choir project is one of the most accurate recreations of the original new romantic/synth pop sound I’ve heard, one with a refreshing lack of irony. The synths have a glittery, almost pastel sheen to match the pink of the cover – complete with hints of  fretless bass and Cocteau guitar, Afar’s sound design should be a treat for anyone fond of romantic 80s pop. To top it off, Kurt Feldman’s vocals resemble Martin from Depeche Mode, if having a more refined tone.

 

The resulting songs are incredibly blissful in such a way that fits well with the grandiose luxury of hit albums like Lexicon of Love or Avalon. With both relentless energy and soaring melodies, I’m convinced “Two Rings” is one of the most extravagant synth pop songs to come from this decade. “Peacock On The Tall Grass” brings some of those angelic yacht-like heights of sophisti-pop to mind. The chorus of “Teletrips”, meanwhile, is the musical equal of a utopian morning walk.

♥︎ – “Two Rings”, “Teletrips”, “Peacock On The Tall Grass”, “The Ice Choir