As it turns out, early October marked five years since I began this blog…! I wanted to post ~something~ to mark this occasion but I got way too caught up in other stuff.
I’m going to get honest with you all now; 2021 feels like another of my most difficult years. That’s the main reason, besides Seahorses’ bizarrely extended cycle, that I posted so much less for these past 11 months.
Beyond that, my difficulty with focusing on new compositions continues from where it began in 2019, as much as I sorely miss letting out my inspiration. As usual, I struggle with finishing my handful of exciting pre-existing drafts too, whether it’s adding to them or the long and boring post-production.
As I mentioned last post, I lost a good chunk of my confidence as a writer. I feel more nervous than ever to express my musical opinions and observations, for various reasons. I’ve felt naive and outmatched often. I guess it’s no surprise this happened as I was turning 21.
Don’t get me wrong, I still have some plans for this blog, I just feel reluctant to promise too much thanks to how behind I became, not to mention my anxiety over the ominous environmental news that stalks us. Plus, if/once I do get more creatively active, I would want to focus on my own music.
Mixes remain my most dependable pet-project. I have several ideas for these leftover from my more active days, and I’d still love to get cracking on them; I just need the mood to strike me.
I hope that this blog brought you some interesting discoveries or listening pleasure over these years, for it’s many flaws. I’ll call this time a hiatus, but posts will happen when they happen.
While this ‘archive album’ is suffering the worst case of delay since my 8-bit album last year, I’m still set on getting it out there this month, hopefully before it enters the ‘late’ period. To coincide, I decided to guest on Vulpiano’s monthly mix series for the listen.camp online radio station with a dip into the sounds and styles that inspired the album. I always felt that electronic music and easy listening shared this understated knack for aquatic or underwater themes, so this was a novel concept to revisit.
That means lots of ‘underwater’/surreal production effects, synths that go drip-drop, library obscurities themed around marine life, steel drums and a handful of surprises. For instance: the latest Bebel Gilberto album, which sounds eerily close to mall-themed vaporwave, and one of the most underrated Siouxsie singles in “Swimming Horses” (just because). Plus, of course, two tracks from Seahorses itself. Those are latest single “Fish In Oceania” and “Blue Whale” (which I lift from the download-only version of Ocean Flower; it actually originates from the Seahorses project).
Deep Trenches demo (0:45), Seahorses (2:15), Lullaby For Sad Porpoise (2:26)
As for the ‘piece’ I mentioned working on with the Mouthbrooder post, that found it’s way to a rough and complex state. I’m not so sure what to do with it right now and sadly, posting it in some form here feels more doubtful than before.
In this next month or so, I’d love to get back to more regular posts, since my extreme focus on That Piece led to delay for many ideas. Still, I think I have enough to juggle for May considering my plans for a special occasion in it’s last week. It’s nothing too big or fancy, but it’s a day I posted about on most previous years here!
I’m in plans of the next ‘traditional MAM mix’, but it’s not happening until sometime in summer. It can say it has some things in common with the previous one..
No plans for front page reviews at RYM right now. I have more important stuff on my plate; I did a lot already and the Dax Pierson review got a frustrating enough response to remind me why I ‘retired’ from it.
The new album from the very 80s, very YMO-ish J-pop group Crystal is ridiculously fun and also beautiful, please listen to it.
See my previous post for first single “Mouthbrooder” and what I’ve been doing this year.
Seahorses is a downtempo/’aqua-lounge’ project originating from way back in 2016; I was inspired by Spencer Nilsen’s Ecco The Dolphin music, the space age of the 50s-60s and ocean-themed library music from the 70s.
Tentative track names & sequence for Seahorses
Fish In Oceania
In Our Submarine
A Wandering School
‘B-sides’ “Lullaby For Sad Porpoise” and “Seahorses” will be exclusive to the download.
This two-song single is a taster for Seahorses, an upcoming 10-track downtempo/’aqua-lounge’ album I ‘fished out’ from my archive; it goes way back to July of 2016! I decided it had too much potential to leave behind and it gives more context behind my obsession with aquatic sounds and imagery. I’m ~hoping~ to release it sometime during March 2021.
‘Mouthbrooder’ will appear on the album, with b-side ‘Seahorses’ as a bonus track hence ‘hidden title theme’.
Also, long time no see. I’m aware that this is the longest pause between posts in awhile so I guess this is the time I let the 3-5 total people who read this blog know what’s up. On the one hand it’s the typical ‘life happens’; I wasn’t in a good place through most of 2020 for both obvious and personal reasons, and now I’m struggling a bit to get it together. On the other, that led to my many bubbling project ideas, over-ambitious as ever, to delay A LOT. One project in particular? It’s taking me SIX on-and-off months and counting. Ughhh.
In the meantime:
I did get around to uploading sample songs for 80% of my music projects to my otherwise desolate YouTube account! I’m hoping that some people digging around for music will find me there, but I’d appreciate if you subscribed! Especially when WordPress has this annoyingly closed-off ‘only members can follow’ system. You can find the full Spires EP there too, since that wound up the second MOST popular Vulpiano release on Rateyourmusic. It’s too bad I keep getting this feeling that I can’t get back on that level, in both ease of making the music and quality..
I stepped away from my ‘RYM front-page-review retirement’ to praise my mutual ~simoon’s new synthpop project, Bride. It’s a definite ‘lost entry’ in my 2020 list and she could use more attention, so give her a listen if you enjoy things like Pink Industry, Geneva Jacuzzi and space-age synth music.