Mix

Castles In The Sky (I Heart Noise Guest Mix)

ORIG BRIGHT

IHN Mixcloud + 8Tracks + Youtube

My guest mix for I Heart Noise highlights the surprising darker and sadder corners of new age music. Despite common aims to soothe and uplift, these songs dive into downbeat and/or ambiguous feelings: vulnerable, longing, bittersweet, haunting. The bright synths of a meditation cassette meet the murky lows and fragile heart of your favorite oddly-sinister children’s VHS.

Made from selections off my eponymous Rateyourmusic list: plenty more in this vein over there!

Track listing

  1. Suzanne Ciani – The Eighth Wave
  2. Hiroshi Yoshimura – Singing Stream (Spring Mix)
  3. Bob Foster – The Water Garden
  4. Hiroyuki Onogawa – August In The Water 1
  5. Michel Genest – Reflections On A Moonlit Stream
  6. Medwyn Goodall – Dolphin Dreams
  7. Spencer Nilsen – Title Theme
  8. Peter Seiler – Reef Moods
  9. Milan Pilar – Way To The South
  10. Simon Benson & Mike Tauben – Dreamworld
  11. Graham De Wilde – Underwater World (a)
  12. Milan Pilar – Nocturne
  13. Sumio Shiratori – Winter In Moominvalley
  14. Toshifumi Hirata – Fire And Forever
  15. Joe Hisaishi – The Huge Tree In The Tsukamori Forest [8Tracks & Mixcloud] / The Path of the Wind (Instrumental) [Youtube]
  16. Warren Bennett – A Time To Remember
  17. Bel Canto – Unicorn
  18. Spencer Nilsen – Skylands
  19. Happy Rhodes – Ra Is A Busy God
  20. Miami Vice – Tokyo Negative
  21. Delicate Features – Taurus Moon
  22. Mychael Danna – Sky 2
  23. Áine Minogue – The Grove
  24. John Hall – Illusen’s Glade [Youtube Only]
  25. Emerald Web – The Red Vapour of Still Lakes
  26. Kirsty Hawkshaw – Modern Mermaid
  27. Milan Pilar – Green Velvet
  28. David Rogers & Paul Shaw – Ice Kingdom [8Tracks Only]
  29. Emerald Web – Soft Silence The City
  30. Patrick O’Hearn – España

Background

Like it’s animation, the new age boom of the 80’s had an odd and not-so-discussed taste for darkness. Let’s consider the common Yamaha synth bells and rhodes, which became THE sound of VHS credit rolls. You hear these in happy love ballads one minute and Twin Peaks the next. It’s a sound that melts in your memory over the years as VHS quality melts itself, that can take on a ghostly new life. It’s no shock lots of new age has this effect, whether light or dark. It’s something about how the comfort and ‘fluff’ mingles with the darkness.

It’s only natural for these themes to mix with nostalgia and give us mixed and/or complex feelings. These feelings can haunt us the same way that one ‘scary’ scene in your old favorite children’s VHS does for years. Fleeting joy feels crucial here. After all, so much new age regards fragile things: crystals, gifts, nature, loved ones. New age is for cherishing and protecting. I’d think meditation makes way for some vulnerability itself.

Likewise, fantasy is inspiring and unleashes real-world limits. It can represent ideals and romance. So often this romance can lead to wishing. For things to be real, for dreams to come true, to go back in time.

It’s the tenderness in how these songs approach such emotions that gives them their grip. When gentle fantasy music ponders, it’s like a deer lost in a forest or a child finding haunted halls in their room. It’s not hard to sympathize.

What makes ‘dark’ new age so odd is how it ‘disobeys’ the genre’s core themes. When we hear ‘new age’, we expect serene sounds fit for a spa. It’s crossover icon Enya has 2-3 songs I could call ‘dark’, after all. If ‘true’ new age is music for happy daydreams, dark new age depicts our questions and fears. Despite this, some songs keep the calming effect.

Of course, I’m not aiming for an edgy substitute here. We hold up ambient as this intellectual counterpart already. I love lighter new age too; I’m just highlighting a deserving sub-niche. This strikes me as a relevant theme with new age’s recent spike in popularity. I intend this more to gather lost gems and challenge cliches, ‘soullessness’ to name one.

I chose this Unico shot because, like this music, it paints a sad, uncertain scene in bright colors. You have a unicorn, the trademark ‘pure fantasy’ creature, with a wind fairy, but both are forlorn. While the Unico film has a warm heart, it follows this unicorn getting stolen from his family and losing his memories. It probably represents this theme better than any other movie.

 

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Artists you should know · Playlist

Artists you should know / Milan Pilar

TXT

Milan Pilar (born 1934 in Czechoslovakia) is a master of fantasy melodrama. Once he came to use synths, his music became the soundtrack for finding a magic necklace in a pastel-colored forest where anything can happen. Milan created these images in gorgeously exaggerated detail that fills the room with color. He had a talent to induce the most grandiose emotions with impact and genuine tenderness.

Most songs will have sweeping synths and/or strings as a backbone, with digital bells and flutes playing the melodies. Many are wistful and sensitive as if telling you secrets in their hiding place, some carefree and happy, others cinematic and awestruck. No matter the mood, they never lose their Moomin-worthy fantasy charm and elegant expression. It’s a shame Pilar didn’t wind up directly composing for fantasy movies.

He also kept a distinct sound across ten-plus years, something rare for library composers. For instance, his 2003 album Nature In Motion has the virtual same approach as his late-eighties work.

Playlist

I’ve gathered my favorites from across his albums to give a good taster for his style (link above).

1. February  – Pastoral Seasons, Coloursound, 1982

2. Reconciliation – Nature Spoiled and Unspoiled, Coloursound, 1983

3. Above / Extensions – Extensions, Sonoton, 19??

4. Industrial Signature 11 – Industrial, Coloursound, 1986

5. Fountain Idyll – Above And About, Coloursound, 1989

6. Birdlife – Above And About, Coloursound, 1989

7. Digital Structure 2 – Digital Structures, 1990

8. Digital Structure 25 – Digital Structures, 1990

9. Softly As The Summerwind – Nature Study, 1990

10. Wind And Waves – Nature Study, 1990

10. Caravanseral – Nostro Mondo, 1993

12. Irish Autumn – Floating Line, 1993

13. Rainbow – Textures And Fusion, 1994

14. Lost Game Blues – Signs Of Wisdom, 1999

15. Call Of The Mountains – Nature In Motion, 2003

16. Deep Sea Romance – Green Planet, 2004

Mix

Daydreams In The Garden / A Moomin-inspired playlist

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Original Tumblr post here

A mix inspired by the music & visuals of the Moomin universe with folksy, sweet, calm, pastoral and thoughtful moods. Ranges from misty folk songs to gentle new age; featuring twinkling keyboards and pseudo-classical/chamber elements (woodwinds, harp, strings).

Featuring music from Moomin Voices (a recording of songs written by Moomin creator Tove Jansson), the 90s anime OST, the 1980 puppet show OST, 4AD and more!

Track list

mumintrollet’s visa tove jansson, johanna grussner & mika pohjola / aikea-guinea cocteau twins / antarctica echoes vangelis / bordeaux durrutti column  / rozo, du pecoj world standard / kun ha minami he sumio shiratori / vite, petite fille david snell / parachute area / thibault et l’arbre d’or emmanuelle perranin / silver chord jane weaver / glad glasser / most unusual graeme miller & steve shill / icebow delicate features / open sequences a vision of panorama / i’ll read you a story + push the boat onto the sand colleen / le reflet dans l’eau train fantome / the dancer linda perhacs / lily of the valley brian bennett / february milan pilar / eternal garden ray russell / soft spring paul williams

About this mix:

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hidden treasure

Milan Pilar – Digital Structures / Space And Underwater (1990 / 1993)

 

library music / progressive electronic

Listen here

At this point I’m convinced this Czech composer was in a home stretch in the late 80s-early 90s. He could do no wrong.

One of my personal music missions is to hear just about every ‘aquatic’ library album I can manage, as it’s almost always a sign of quality. Therefore, I HAD to listen to Milan Pilar’s take on it. It turns out this album began as Digital Structures for the unusual Coloursound label, with no true song titles – “Digital Structure #3”, “#12”, and so on. This  Selected Sound re-issue has a new title plus a true name for every song. In fact, it turns out I’d heard Digital Structures before, and got fooled into thinking this was different. Library labels are weird like that; something unfamiliar will turn out to be another, older album, even from another label!

Even so, I’m glad that I wound up hearing this one again. I picked up on a lot more great tracks this time. Plus, the re-titling helped me tell them apart. Even though SS branded this with space/water themes, it does veer into other moods/imagery at times, like the twinkling fantasy that was the trademark of his also-quality Nature Study. Knowing the album’s origin, this makes some sense.

I’ve written about similar albums before; O’Hearn’s Indigo, Above and About, etc. so many of those same traits apply here. It’s the same fascinating mix of varied moods and soaring synth textures – pads that wash over like shores, glittering arpeggios, warbles, flutters. He really brings out the best in digital synths. The sci-fi/water theme in particular adds some interesting moodier elements to Pilar’s familiar style. It’s the best direction he could’ve taken from his previous albums, and with every song being a mere 1.5 minutes, very digestible. Through their brief length, the songs flourish and establish their grip right on contact.

I especially recommend this if you love a good 80s synth film score. That tension, build and release of a good synth score is here and pulled off in expert fashion. The quality it retains over 43 tracks means this would be one of my favorite scores had an actual movie used it. But, as library music continues to remind me, it turns out some of the best film music doesn’t even wind up getting used.